The Death of the Baroque and the Rhetoric of Good Taste巴洛克风格的式微
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作者： Vernon Minor著
出 版 社：
出版时间： 2005-1-1字数：版次：页数： 196印刷时间： 2005/01/01开本： 16开印次：纸张： 铜版纸I S B N ： 9780521843416包装： 精装内容简介
In late seventeenth- and early eighteenth-century Rome, a rhetorical war raged among intellectuals in the attack and defense of language, literature, and the visual arts. This book examines the cultural upheaval that accompanied attacks on the baroque predilection for ornament, extended visual metaphors, grandiloquence, and mystical rapture. Rome's Academy of the Arcadians emerged as a potent social and cultural force in the final decade of the seventeenth century and throughout the eighteenth century provided a setting for arguments on artistic taste and reforms in literature and religion. This book describes the waning days of the baroque and ends with an analysis of the Parrhasian Grove.
作者简介：
Vernon Hyde Minor is professor in the departments of art and art history, and comparative literature and the humanities, at the University of Colorado, Boulder. A Fellow of the American Academy in Rome and member of the Association of Members of the Institute for Advanced Study, he is the author of Art History's History, Baroque and Rococo: Art and Culture, and Passive Tranquility: The Sculpture of Filippo de la Valle. He is currently the Editor of the Memoirs of the American Academy in Rome.
目录
1Michelangelo Marisi da Caravaggio, Crucifixion ql: St. Peter, I6oI-o2, Santa Maria del Popolo, Rome
2Michelangelo Merisi da Caravaggio, St. John the Baptist, I609--IO, Villa Borghese, Rome
3Gianlorenzo Bernini, Interior ofSant'Andrea al Quirinale, I658-7o, Rome
4Luca Giordano, Ecce Homo, I659-6o, Pinacoteca di Brera, Milan
5Francesco Trevisani, Rest on the Flight into Egypt, c. 1715, Dresden, Gem~ildegalerie Alte Meister
6 Jan Frans van Bloemen, Arcadian Scene with Roman Buildings, c. I69OS
7Giacomo della Porta, Tomb of Paul III, Farnese, I55I-I575, St. Peter's, Rome
8Gianlorenzo Bernini, Tomb of Urban VIII, Barberini, I623-45, St. Peter's, Rome
9Filippo della Valle, Tomb of Innocent XII, Pignatelli (with design provided by Ferdinando Fuga), 1743, St. Peter's Rome
1OFilippo della Valle, Tomb of Thomas Dereham, 1739, S. Tommaso degli Inglesi, Rome
11Detail of Figure IO
12Carlo Maratti, Venus Tinting the Rose, black chalk, after original painting (now lost), Belgium, Private Collection
13Carlo Maratti, The.Judgment of Paris, Ekaterininsky Palace, Pushkin (Tzarskoje Selo), Russia
14Carlo Maratti, Apollo and Daphne, i68i, Brussels, MusSes Royaux des Beaux-Arts de Belgigue
15Carlo Maratti, Self Portrait with the Marchese Pallavicini (I1 Tempio di VirttS), Stourhead, Wiltshire, The National Trust, Hoare Collection
16Nicola Salvi, Trevi Fountain, 1732-62, Rome
17Nicola Salvi, Trevi Fountain, detail of slipping pilaster
18Nicola Salvi, Trevi Fountain, detail of grotesque masks, c. i735, Rome
19Giuseppe Prodi and Francesco Pincellotti, Oak Tree, I742-4, Trevi Fountain, Rome
20Filippo della Valle, Salubrity, I762, Trevi Fountain, Rome
21Filippo della Valle, Fecundity, 1762, Trevi Fountain, Rome
22Andrea Bergondi, Agrippa Supervising the Construction of the Aqua Yigo, I76O, Trevi Fountain, Rome
23Giovanni Battista Grossi, 7?ivia Pointing Out the Source of the Aqua Virgo, I76o, Trevi Fountain, Rome
24Giovan Mario Crescimbeni, Plan for an Arcadian Garden, I725, Biblioteca Angelica, Rome
25Antonio Canevari, Project for the Bosco Parrasio, I725, drawing, Accademia di San Luca, Rome
26Antonio Canevari, Dedicatory Plaque, with Inscription to John V of Portugal
27Antonio Canevari, Stairway, Bosco Parrasio, Rome
28Antonio Canevari, Skene and Paraskenia, Theater, Bosco Parrasio
29Plaque Honoring Giovan Mario Crescimbeni, Bosco Parrasio, Rome
30Ernst Lawson, Plan ofBosco Parrasio, I92o, Library of the American Academy in Rome, Rome
31Antonio Canevari, Capital on Inside of Gate, Bosco Parrasio, Rome
32Antonio Canevari, Grotto, Bosco Parrasio, Rome
33Antonio Canevari, Gravina's "Laws" of the Arcadia, Bosco Parrasio, Rome
