达紫香悄悄地开了(英文版)
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品牌: 陆星儿
基本信息·出版社：外文出版社
·页码：326 页
·出版日期：2005年
·ISBN：7119033581
·条形码：9787119033587
·包装版本：1版
·装帧：平装
·开本：32
·正文语种：英语
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内容简介In this anthology are four pieces by the well-known Shanghai woman writer Lu Xing'er,one of many talented authors who have appeared on the Chinese literary scene since the 1970s.Whth an observably femining sensitivity,she has tasted to the full the excitement,confusion,pain and joy of a generation,and this is vividly reflected in her careful portraits of the lives of ordingary Chinese people.Her portraits are women fron all walks of life and her concern for their fate has made a deep and lasting impression on her readers.
作者简介Lu Xing'er was born in Shanghai in 1949. In 1968, at the age ofnineteen, she was sent to do farm work in the Great NorthernWilderness, and in 1978 entered the Central Drama Institute. Herfirst story, "The Ox Horn", appeared in Heilongjiang Literature in1974. Since then she has published a dozen short stories, andamong them are "Oh！ Blue Bird", "The Mountain Flowers HaveBloomed Quietly", and "Born a Woman". She has also producedtwo novels, A Kiss to the Century and Fairytales in the GreyBuilding. Her publications also include two collections of shortstories, The Structure of the Beauty and The Unremembered Tabletin the Wildness.
目录
Oh！Blue Bird
The Mountain Flowers Have Bloomde Quietly
One on One
Under One Roof
……[看更多目录]
文摘The theatre was not big. The rehearsal was already underway.There was no stage setting and the performers did not wear make-up. It was not actually a dress rehearsal. Shu Zhen sat downbehind the small number of people there. The play reached itsclimax
the Red Guards who used to fight on one side startedto differ in real life. Shu Zhen had to bend forward to listen as twopeople sitting behind him talked continuously about the acting.
"They are trying to show their feelings. The feelings havecovered the tension. They are not acting out the inner life of theroles... The way they talk is as if they're reading aloud. None ofthem are communicating. Just to communicate with the audience isnot enough, the sound effects, the props, the environment, theirvision
they should react to all of these. They haven't doneenough homework before the rehearsal and they don't understandthe roles they are acting. That's the problem..." It was the voice ofa woman. A very pleasing voice in standard mandarin, and a ratheryoung voice though the words sounded like an expert expressing irrefutable judgement and conclusion.
Shu Zhen turned round to look out of curiosity. She was young, as he had expected, with long curling hair falling to her shoulders. She was in a light green pull-over with a silver gray anorak coat draped over it. She looked familiar. He had an impression that he had met her somewhere before. Maybe she was an actress in the provincial troupe？ Shu Zhen's attention was distracted from the play itself.
When the rehearsal was over and before all the audience had left, the young woman went up on stage. She shrugged her coat down onto a chair. Raising both arms, she said, "May I have the attention of the performers, please."
