Early responses to Renaissance drama文艺复兴戏剧的早期反响
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作者： Charles Whitney著
出 版 社：
出版时间： 2006-10-1字数：版次： 1页数： 341印刷时间： 2006/10/01开本： 16开印次： 1纸张： 胶版纸I S B N ： 9780521858434包装： 精装内容简介
It is often assumed that we can never know how the earliest audiences responded to the plays and playbooks of Shakespeare, Marlowe, and other Renaissance dramatists. In this study, old compilations of early modern dramatic allusions provide the surprising key to a new understanding of pre-1660 reception. Whether or not it begins with powerful emotion, that reception creatively applies and appropriates the copious resources of drama for diverse purposes, lessons, and interests. Informed also by critical theory and historical research, this understanding reveals the significance of response to Tamburlaine and Falstaff as well as the importance of drama to Edmund Spenser, John Donne, John Milton, and many others. For the first time, it makes possible the study of particular responses of women and of workers. It also contributes to the history of subjectivity, reading, civil society, and aesthetics, and demands a new view of dramatic production.
作者简介
Charles Whitney is Professor of English at the University of Nevada, Las Vegas.
目录
List of illustrations
Acknowledgments
Introduction
PART Ⅰ TAMBURLAINE, SIR JOHN, AND THE FORMATION OF EARLY MODERN RECEPTION
1 Tamburlaine intervenes
The scandal of sadomasochism: liberating the Protestant aesthetic
The scourge of God, here and now
Emblems for relentless forces
Aftermath: idealization and travesty
From Tamburlaine to Hamlet
2 Versions of Sir John
The Oldcastle controversy
The orature of Sir John
Carnival and Lent
Between Carnival and modern aesthetics
PART Ⅱ AUDIENCES ENTERTAINING PLAYS
3 Playgoers in the theatrum mundi to i6i7
John Davies of Hereford and the authority of the audience
The Inns of Court and the culture of playgoing
Playgoing, poetry, and love-making: Edmund Spenser and Robert Tofte
Simon Forman and the uses of the theatre
4 Common understanders
Service workers and the interpretive authority of labor
Out of service and in the playhouse: Richard Norwood and Early Response to Dr. Faustus
"Vagrant" youth: apprentices, craft servants, and others
A note on fishwives
Low audiences, pluralistic theatre
5 Playgoing and play-reading gentlewomen
The theatre of meditation: Amelia Lanyer and the tragic Cleopat
Reprobation as resistance: Joan Drake and Jonson's Ananias
Anne Murray Halkett and the theatre of Cavalier life
Private shows: Dorothy Osborne and the courtship of Richard I1
6 Jonson and Shakespeare: living monuments and public spheres
The uses of Jonson
Milton's Shakespeare: theatres of God and man
Notes
Bibliography
Index