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Regeneration

王朝导购·作者佚名
 
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  分类: 图书,进口原版,Biographies & Memoirs(传记与自传),
  品牌: Pat Barker

基本信息出版社:Plume Books (1993年7月1日)丛书名:William Abrahams Book平装:252页正文语种:英语ISBN:0452270073条形码:9780452270077商品尺寸:20.6 x 13.6 x 1.8 cm商品重量:222 g品牌:PlumeASIN:0452270073商品描述内容简介In 1917 Siegfried Sassoon, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: The war was a senseless slaughter. Ile was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon's "sanity" 'and sending him back to the trenches. This novel fells what happened as only a novel can. If is a war saga in which not a shot is fired. If is a story of a battle for a man's mind in which only the reader can decide who is the victor, who the vanquished, and who the victim. It is one of the most amazing feats of fiction of our time. Regeneration is the first novel in Pat Barker's acclaimed World War I trilogy, which continues with The Eye in the Door and culminates in the 1995 Booker Prize-winning The Ghost Road.编辑推荐Amazon.com Review

Regeneration, one in Pat Barker's series of novels confronting the psychological effects of World War I, focuses on treatment methods during the war and the story of a decorated English officer sent to a military hospital after publicly declaring he will no longer fight. Yet the novel is much more. Written in sparse prose that is shockingly clear -- the descriptions of electronic treatments are particularly harrowing -- it combines real-life characters and events with fictional ones in a work that examines the insanity of war like no other. Barker also weaves in issues of class and politics in this compactly powerful book. Other books in the series includeThe Eye in the Doorand the Booker Award winnerThe Ghost Road.--This text refers to thePaperbackedition.

From Library Journal

In 1917, decorated British officer and poet Siegfried Sassoon wrote a declaration condemning the war. Instead of a court-martial, he was sent to a hospital for other "shell-shocked" officers where he was treated by Dr. William Rivers, noted an thropologist and psychiatrist. Author Barker turns these true occurrences into a compelling and brilliant antiwar novel. Sassoon's complete sanity disturbs Dr. Rivers to such a point that he questions his own role in "curing" his patients only to send them back to the slaughter of the war in France. World War I decimated an entire generation of European men, and the horrifying loss of life and the callousness of the government led to the obliteration of the Victorian ideal. This is an important and impressive novel about war, soldiers, and humanity. It belongs in most fiction collections.

- C. Christopher Pavek, National Economic Research As socs. Lib., Washington, D.C.

Copyright 1992 Reed Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

In this fact/fiction hybrid, Barker (Union Street, 1983, etc.) turns from the struggle for survival of northern England working- class folk to the struggle back to sanity by British officers unhinged by WW I trench warfare. Craiglockhart War Hospital, a grim psychiatric facility outside Edinburgh, is the setting. The framework is the arrival of Siegfried Sassoon at Craiglockhart in the summer of 1917, and his discharge back to France in November. Sassoon is treated by the eminent neurologist (and Army captain) William Rivers, whose job is to restore his damaged warriors to fighting condition. Sassoon is a relatively easy assignment. Despite his public statement protesting the war, Sassoon is no pacifist; this complex poet feels at home in the Army and is an exceptionally courageous officer, beloved by his men, to whom he feels a blood-debt that can be paid only by his return. For all the sparring between Sassoon and Rivers, only a hair separates them, for the latter is also a man of enormous integrity, profoundly troubled by the horrors his patients must endure. And it is these horrors (not the clipped exchanges of Sassoon and Rivers) that linger in the mind: Burns's vomiting nightmares caused by a mouthful of decomposing German flesh; Prior's being rendered mute after handling a human eye. At the center is Rivers, a model therapist, whose unstinting support may give even the wretched Burns a chance at a normal life. Barker has also provided some workmanlike off-base romance for Prior, her one developed fictional character; but the heart of the work, where the big fish swim, is Rivers's consciousness, his insights into front- line behavior enriched by his anthropological straining. Don't look here for the dramatic sweep of a war novel; instead, you get a scrupulously fair reconstruction of Craiglockhart, plus a moving empathy for both doctors and patients. The extent of that empathy earns Barker's work a place on the shelf of WW I literature. --Copyright ©1992, Kirkus Associates, LP. All rights reserved.--This text refers to an out of print or unavailable edition of this title.

In this fact/fiction hybrid, Barker (Union Street, 1983, etc.) turns from the struggle for survival of northern England working-class folk to the struggle back to sanity by British officers unhinged by WW I trench warfare. Craiglockhart War Hospital, a grim psychiatric facility outside Edinburgh, is the setting. The framework is the arrival of Siegfried Sassoon at Craiglockhart in the summer of 1917, and his discharge back to France in November. Sassoon is treated by the eminent neurologist (and Army captain) William Rivers, whose job is to restore his damaged warriors to fighting condition. Sassoon is a relatively easy assignment. Despite his public statement protesting the war, Sassoon is no pacifist; this complex poet feels at home in the Army and is an exceptionally courageous officer, beloved by his men, to whom he feels a blood-debt that can be paid only by his return. For all the sparring between Sassoon and Rivers, only a hair separates them, for the latter is also a man of enormous integrity, profoundly troubled by the horrors his patients must endure. And it is these horrors (not the clipped exchanges of Sassoon and Rivers) that linger in the mind: Burns's vomiting nightmares caused by a mouthful of decomposing German flesh; Prior's being rendered mute after handling a human eye. At the center is Rivers, a model therapist, whose unatinting support may give even the wretched Burns a chance at a normal life. Barker has also provided some workmanlike off-base romance for Prior, her one developed fictional character; but the heart of the work, where the big fish swim, is Rivers's consciousness, his insights into front-line behavior enriched by his anthropological straining. Don't look here for the dramatic sweep of a war novel; instead, you get a scrupulously fair reconstruction of Craiglockhart, plus a moving empathy for both doctors and patients. The extent of that empathy earns Barker's work a place on the shelf of WW I literature. (Kirkus Reviews)

This novel, based on Siegfried Sassoon's period in a Scottish mental hospital in 1917, is a brilliant evocation of the emotional suffering the soldiers went through, a suffering so deep they could never recover. (Kirkus UK)--This text refers to an out of print or unavailable edition of this title.

 
 
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