Pat Moran -《This Is Pat Moran》[MP3]
专辑英文名: This Is Pat Moran
歌手: Pat Moran
音乐风格: 爵士
资源格式: MP3
发行时间: 1957年
地区: 美国
语言: 英语
简介:
发行厂牌：Audio Fidelity
唱片编号：AFLP 5875
专辑类型：Jazz, Post Bop
专辑时长：~39 min
压缩比率：CBR 320Kbps / 44.1kHz / Joint-Stereo
专辑介绍：
如果你对Pat Moran这个名字熟悉的话，你应该知道50年代晚期的芝加哥主流爵士。作为一位建立在Red Garland, Wynton Kelly和Bill Evans的post-bop到cool音乐外表模型上的独特风格音乐家，Moran夫人演奏过精力充沛的标准曲，并且在这张CD上演绎了Dave Brubeck的《In Your Own Sweet Way》、Oscar Pettiford的《Collard Greens and Black-Eyed Peas》以及简单的《Blues》。这次再版，源自Audio Fidelity厂牌发行的唱片《This Is Pat Moran and Beverly Kelly Sings》，那张专辑着力于Moran在美国流行歌曲方面的明亮的钢琴，选取了她的三重奏八首曲目中的四首。三重奏中，包括有喜欢自夸的Scott LaFaro。这几场合作结束后两年，LaFaro将会加入到Bill Evans的三重奏中，并且在1961年夏天死于一场车祸中。这张专辑器乐曲中也包括了鲜为人知的Frank Rosolino的作品《Onilosor》，这首曲子完美的展示了LaFaro紧凑、创新的贝司技巧。Beverly Kelly，是一位深谙Anita O'Day传统的非常有经验的歌手，贡献了另外10首歌曲，听起来非常不错。最后，Moran用两首钢琴独奏表演结束了这次合作。1957年，在爵士历史上是伟大而不朽的一年，这份“超特别的”材料将会使所有的听众想听到更多的Moran和Kelly的音乐。对于“不朽的”Scott LaFaro来说更不用说，会把这个日子作为自己最值得纪念、最快乐的日子来回忆！ （@GoldenEye编译&国内首发）
Album Review:
引用
If you are familiar with the name Pat Moran, you know your Chicago mainstream jazz from the late '50s. A wonderful stylist molded in the musical post-bop-to-cool visage of a Red Garland, Wynton Kelly, or Bill Evans, Ms. Moran played spirited standard fare, and on this CD interpretations of Dave Brubeck's "In Your Own Sweet Way," Oscar Pettiford's "Collard Greens and Black-Eyed Peas," and the simple "Blues," all of which advance well beyond mere cocktail lounge background music. This reissue, originally from the Audio Fidelity label releases This Is Pat Moran and Beverly Kelly Sings, features Moran's bright piano on American popular songs for four of the eight tracks with her trio, including the vaunted bassist Scott LaFaro. Two years after these sessions, LaFaro would join the trio of Bill Evans, and was killed in a car accident two years after that in the summer of 1961. Also included in the instrumental fare is an obscure Frank Rosolino composition, "Onilosor," which perfectly showcases LaFaro's tight, innovative bass wizardry. Bev Kelly, a skilled singer in the Anita O'Day tradition, has at it for another ten songs and sounds great, and Moran ends the affair with two solo piano performances. A precious bit of history from that great and enduring year in jazz, 1957, this extra-special document should make all listeners wish they had heard more of Moran and Kelly, not to mention the immortal Scott LaFaro, who reflected on this date as one of his most memorable and enjoyable. ~ Michael G. Nastos, AMG
Artists:
Pat Moran (p), Scott LaFaro (b ), Johnny Whited (dr)
Chicago ILL, December 1957
