《Softube效果插件》(Softube)[压缩包]
中文名: Softube效果插件
英文名: Softube
资源格式: 压缩包
发行时间: 2010年
地区: 美国
语言: 英文
简介:
软件类型：多媒体
软件性质：免费
网站链接：http://www.softube.se/
已通过安全检测：瑞星2010
已通过平台测试：Windows 7（32bit）+ Cubase 5
说明：
此压缩包包含：
◆Softube.Spring.Reverb.VST.RTAS.v1.0.4
◆Softube.Tube.Delay.VST.RTAS.v1.0.5
◆Softube.Tube-Tech.CL.1B.VST.RTAS.v1.0.3
◆Softube.Passive-Active.Pack.VST.RTAS.v1.0.2
◆Softube.Metal.Amp.Room.VST.RTAS.v1.1.5
◆Softube.FET.Compressor.VST.RTAS.v1.0.3
◆Softube.Bass.Amp.Room.VST.RTAS.v1.0.2
◆Softube.Acoustic.Feedback.VST.RTAS.v1.0.7
◆Softube.Vintage.Amp.Room.VST.RTAS.v1.0.8
引用
PS：所有的Amp Room插件都可以移动界面调节逐个音箱参数以及收音Mic的远近位置。
Acoustic Feedback：
Active Equalizer：
Bass Amp Room：
FET Compressor：
Focusing Equalizer：
Metal Amp Room：
Passive Equalizer：
Spring Reverb：
Tube-Tech CL 1B：
Vintage Amp Room：
Softube.Acoustic.Feedback.VST.RTAS.v1.0.7
Screaming guitar feedback made easy
Release your inner beast with the first realistic guitar feedback simulator
on the market. Go from moderate and subtle to rampant and wild by the twist
of a knob (or two). To break new musical ground, try inputting a
synthesizer, a violin, or even your mother抯 grand piano.
Features:
Realistic simulation (physical modeling) of guitar feedback.
Fully responsive to vibratos, bends, slides, tremolos etc.
Simple user interface: Control amount of feedback with the Feedback knob,
and the sensitivity with a Tolerance knob.
Compatible with foot controls via MIDI
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Softube.Bass.Amp.Room.VST.RTAS.v1.0.2
Bass Amp Room was designed to handle all your bass amp needs, from dirty
rock to modern clean, keeping two equally important goals in mind. The
first was to give the user the best possible sound quality. The latter was
to create an intuitive plug-in which allows for a really fast work flow.
Time is money, but cutting down on time shouldn't mean you have to accept
poor results.
Bass Amp Room consists of a model of a classic bass amplifier, three
distinctive speaker cabinets with click-and-drag mics, and a blendable DI
section with tone controls and a limiter. That's it. And it's all you need
to create a unique signature sound - the strength lies in the ease of use
of the individual blocks and the huge range of sounds these can produce
when combined.
In short, Bass Amp Room is all about getting a sound you know you can
trust, and getting it quickly, from a plug-in you don't need a degree in
computer science to handle.
Features:
Authentic amp and cabinet modeling
Three versatile and good-sounding cabinets
Designed for excellent results and fast work flow
Built-in one-knob limiter in D.I. panel
Easy to use mix and D.I. panel
Flexible & continuous click-and-drag mic positioning
Fully automatable parameters
3-D rendered photo-realistic user interface
Compatible with all effects that work with real amps
Amp/Cab Bypass possiblities let you use cabinets
from other Amp Room products
-----------------------------------------------------------------------------------
Softube.FET.Compressor.VST.RTAS.v1.0.3
Many "modeled" compressors are nothing more than futile attempts to get an
off-the-shelf algorithm to match its hardware counterpart by tweaking a few
parameters like the knee and attack/release times. But anyone who has
worked with hardware compressors knows that there must be more to it. And
there is.
The heritage of analog compressors very much showcases the history of
electronics in the previous century. It's the deficiencies of the different
designs and components that give each unit its unique character, and what
started out as technical limitations have now become sought-after sounds.
Simply approximating the most apparent features is not enough to capture
this uniqueness. It takes a model of great complexity and accuracy to make
a digital replica sound like the original with all settings and inputs.
Features:
Modeled analog compressor, input and output stages. Modeled everything.
Modeled "All buttons in" mode
Continuous ratio (even between 20:1 and ALL.)
Super fast attack time (just like the original)
Sweet input and output stage distortion.
Parallel compression.
Detector low and high cut filters
External side chain
Lookahead
Stereo with synchronized gain reduction
Very CPU friendly
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Softube.Metal.Amp.Room.VST.RTAS.v1.1.5
Metal Amp Room was designed to bring you the most brutal, evil and
aggressive sound that is possible to squeeze out of your DAW. It was co
-developed with Patrik Jensen (The Haunted) and tailored to his needs. The
continuous mic placement from Vintage Amp Room is back, but this time with
twin mics with adjustable stereo panning. Get a huge stereo sound with
complex adjustable phasing effects, a plain old one-mic-right-against-the
-cone, or anything in between. The cabinets were measured in the In Flames
studio (previously known as Studio Fredman) by Tue Madsen and Patrik
Jensen. "I have to say I was very surprised when I heard the results. It
really does sound like the way I record guitars and it makes me want to do
a lot more setups for them."
Focusing on usability and sound quality, this is a plug-in that is proud
not to include a gazillion amps, effects racks, patch cords, or a blow
- dryer. Just two channels, two cabinets, two mics per cabinet, and a
wickedly fast noise gate for palm mute galore. Every setting is a setting
that will sound good, so it's almost impossible to get a useless sound.
Metal Amp Room is a real workhorse, a plug-in that will handle all your
metal needs without ever getting in your way.
Features:
A brutal metal amp...
... with a raw & authentic sound
And a program-dependent guitar noise gate
Two cabs with two mics per cabinet
Easy to use balancing stereo mic preamp for balancing the two mics
Flexible & continuous click-and-drag mic positioning
Fully automatable parameters
3-D rendered photo-realistic user interface
Compatible with all effects that work with real amps
NEW in v.1.1! Amp/Cab Bypass possiblities
----------------------------------------------------------------------------------
Softube.Passive-Active.Pack.VST.RTAS.v1.0.2
The Passive-Active Pack is a collection of three very different equalizers,
each with its own character and quirks. The equalizers contain emulations
of real workhorse equalizers, used on thousands of recordings from past to
present.
Passive Equalizer is a three-band EQ with an unprecedented clear and open
sound, a warm low end and sparkling top.
Active Equalizer is Passive's counterpart with three fully parametric bands
and a tight and focused sound.
Focusing Equalizer is an untraditional take on the EQ concept where the
low, mid and high bands move automatically and musically in relation to the
high and low cut filters. It also features filters from the Passive and
Active EQ's as well as an outstanding one-knob Saturation control.
At first glance it may seem like you're sacrificing versatility by using an
equalizer with a limited set of options - why use a three-band equalizer
when you can use your digital equalizer with umpteen bands, continous gain,
selectable Q and different curves all built in? Well, equalization is all
about sound design. Having an equalizer where the designer has already made
some of the choices four you is like having an experienced sound engineer
helping out and giving you directions.
All equalizers are modeled using the same state-of-the-art technology as we
used to create our very popular FET Compressor and the Brilliance Pack
plug-ins for Abbey Road.
General Features:
Authentic component modeling
Fully automatable parameters
Output gain and output metering
3-D rendered photo-realistic user interface
--------------------------------------------------------------------
Softube.Spring.Reverb.VST.RTAS.v1.0.4
Spring Reverb is an authentic spring reverb recreation that will add
vintage character and grit to any audio track. It also includes novel
features such as a fully automatable Shake control that will shake the
virtual strings around for those thunderous spring effects, and a Tension
control that tightens or loosens the springs to cover a wide range of
spring reverb sounds.
Features:
Shake control that shakes the springs around
Tension control to shape the spring character and reverb length
Number of spring pairs continuously adjustable from 1 to 3
Tube driver simulation with Bass and Treble in the reverb section
Can be used both as a send and an insert effect
Very CPU friendly
------------------------------------------------------------------------------------
Softube.Tube.Delay.VST.RTAS.v1.0.5
Tube Delay is a marriage between analog and digital, combining the warmth
and natural compression from tubes with the features and versatility of a
digital delay. The effect is perfect for fattening vocal tracks, adding
slapback echo to drums or getting a gritty delay for guitars!
Features:
1000 ms delay
Sync tempo to host
Vintage style passive EQ
Gritty feedback feature
Tube preamp simulaton
--------------------------------------------------------
Softube.Tube-Tech.CL.1B.VST.RTAS.v1.0.3
Tube-Tech CL 1B is a true studio classic, heard on tons and tons of records
for the past 20 years. Like its hardware counterpart, the Tube-Tech CL 1B
native plug-in sounds soft, smooth, groovy and can compress an insane
amount of dB's without sounding bad.
The CL 1B plug-ins by Softube are the only Tube-Tech plug-ins that are
fully endorsed by Tube-Tech.
This version requires no DSP hardware but uses the same outstanding
modeling technology and algorithms as the famous Tube-Tech CL 1B plug-in
for TDM and PowerCore (distributed by TC Electronic). The sound is of
course just as fantastic as its predecessor. With this unprecedented
accuracy, down to details such as the precise VU meter behaviour, the Tube
-Tech CL 1B plug-in is definitely in a league of its own.
Features:
Classic Tube-Tech sound in your computer
Created together with the designers at Lydkraft/Tube-Tech
Each and every component carefully modeled
Fix./man. mode for breaking traditional compression boundaries
External sidechain control
A seriously great looking GUI!
Very CPU friendly
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Softube.Vintage.Amp.Room.VST.RTAS.v1.0.8
Straightforward and simple, Vintage Amp Room emulates three great guitar
amps in a complete studio set-up with speaker cabinets and fully flexible
microphone positioning. It抯 easy to use for live performances and
recordings, as well as for re-amping and last-minute tweaking.
Features:
Three great-sounding vintage amp models that handle like real amps
Raw & authentic sound
Flexible & continuous click-and-drag mic positioning
Fully automatable parameters
3-D rendered photo-realistic user interface
Compatible with all effects that work with real amps
