Jimmie Vaughan -《Do You Get The Blues?》[FLAC]
专辑英文名: Do You Get The Blues?
歌手: Jimmie Vaughan
音乐风格: 节奏布鲁斯
资源格式: FLAC
发行时间: 2001年
地区: 美国
语言: 英语
简介:
专辑介绍：
Jimmie Vaughan是当今布鲁斯乐坛中的一位真正的大师，他将Gritty Roadhouse和R&B推入了国际市场，并且作为The Fabulous Thunderbird的组创成员之一，他还是70年代末至80年代领导Austin.TX 的杰出吉他手。Jimmie曾受Freddie King、B.B.King和Albert King等吉他手的影响，在吸收了他们精华之处的同时，充分发挥自己的音乐灵感，在Blues和Blues-Rock乐中逐渐发展成了一种独特的随意而庸懒的声音。
Jimmie出生并成长在Dallas (达拉斯)，孩提时就开始学习吉他，并很快沉迷於Blues和R&B，青年时，他参加了一些地下摇滚乐队，但没有任何成就。在他19岁的时候，Jimmie离开家乡来到Austin (奥斯汀)，开始时他在许多Blues酒吧乐队裏演奏，到了1972年，他成立了自己的第一支乐队The Stom，但是并没有支持多久。
1974年，Jimmie遇见了口琴演奏家Kim Wilson，他俩与贝斯手Keith Furguson、鼓手Mike Buck组建了乐队The Fabulous Thunderbirds。在以后的四年中，T-Bird乐队一直在地方俱乐部裏演出，拥有了大量的歌迷，在此之后他们签约於 Chrysalis Records公司，但是由於乐队没有象公司所要求的成为国际巨星，因此在1982年底，公司拋弃了他们，乐队在没有录制成果的情况下离开了。与此同时，Jimmie的弟弟Stevie Ray Vaughan却通过他的首张专辑赢得了国际级的演出，并且在几年中控制了Texan Blues美国的演出。
1986年，T-Bird乐队一份与Epic/Associated公司的合约，首张唱片《Tuff Enuff》热卖100万张，并打进了排行榜前十名。以后几年中，在这张专辑成功的激励下，他们又取得了一些不错的成绩。1989年，Jimmie因在音乐的创作上受到了一些挫折而离开了乐队，开始成为独立音乐人。不久，他与弟弟Stevie Ray携手录制了一张专辑，产生了强烈的反响。
1990年8月，Stevie Ray飞机遇难不幸去世，这以后的两年中，Jimmie一直沉浸在悲伤之中，为纪念弟弟，他出版了专辑《The Sky is Crying》于1991年发行。1994年Jimmie重返乐坛，开始他的巡迴演唱会，Jimmie仍然受到了世界各地许多歌迷的支持和爱戴。
If anyone deserves a crack at being "the next Stevie Ray Vaughan," it's his older brother Jimmie. Thankfully, he's not concerned with aping his sibling's gruff, guitar-heavy approach, as he's proved through his previous two solo albums. It's not that he doesn't have the chops to be an often spellbinding guitarist in his own right; his work with the Fabulous Thunderbirds proved that he could tear off hot licks with the best of them. But on his third solo album, Jimmie pulls even further away from his brother's sound, whipping up a scrumptious concoction of jazzy, often funky R&B and blues that's every bit as enticing in its own way as Stevie Ray's more bombastic approach was. Recorded in both Memphis and Texas and prominently featuring the amazing Bill Willis on Hammond B-3 (who doubles on bass pedals -- leaving this as one of the few blues albums without an official bassist), Jimmie's more subtle approach leaves lots of spaces to nail a groove that gets deeper as the album progresses. Guests like James Cotton on harp and longtime associate singer Lou Ann Barton (who just about steals the show on the songs where she duets with Vaughan) inject extra spice, but the singer/guitarist has crafted a compelling slice of contemporary blues that blends traditional elements in a distinctive way. His own soloing stings in a less abrasive, more organic fashion, and his honest, lived-in vocals, while not technically accomplished, fit the tunes perfectly. Rootsy yet polished tracks like the R&B swamp of "Without You" and the Texas soul of Johnny "Guitar" Watson's "In the Middle of the Night" (featuring Stevie Ray's Double Trouble rhythm section) crackle with taut energy and low-down soul. By forging an individual musical style, Jimmie Vaughan not only avoids all Stevie Ray comparisons, but has produced a remarkable album that truly sounds like no one else. --- by Hal Horowitz, All Music Guide
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