原声大碟 -《穿越大吉岭》(The Darjeeling Limited)[MP3]
专辑中文名: 穿越大吉岭
专辑英文名: The Darjeeling Limited
艺术家: 原声大碟
资源格式: MP3
发行时间: 2007年10月26日
地区: 美国
语言: 英语
简介:

专辑介绍:
原以为印度音乐占主导兼之mothersburg的缺席会让我对这张原声提不起兴致,没想到大量来自雷伊和Merchant-ivory电影里的旋律听起来豪不枯燥,反而是别有情趣;古典音乐也是第一次出现在wes的原声中(前几张里只有mothersburg的电子版巴洛克),一首是德彪西的月光,这首被无数导演用活了的钢琴小品在此片中效果倒是颇为平淡;另一首是慷慨激昂的贝七末乐章,真没印象电影里用在了哪里。
真正属于wes的高光时刻还得是english invasion,这回他挑上了Kinks. 电影一上来就是一大组比尔莫瑞追火车的运动镜头,离火车咫尺之遥时莫瑞被钢琴师同学侧方轻松超越,跃上火车,此时背景响起了Kinks的This time tomorrow, 其音画交融之美妙实在难以用语言形容,至少我看完电影后一晚上听了八遍的This time tomorrow; 片子后半部两处高潮段落又是用了两首Kinks的歌,和前者一样来自70年的经典专辑Lola vs. the Powerman & the Money-Go-Round, Pt. 1,这张在我mp3里已经待了大半年了,却连一次都没听过,大汗一记。电影末尾还用到了一首滚石的Play with fire,无论配器还是贾格尔的演唱都是出奇地精致,wes anderson真该去拍上一部english invasion的纪录片。
原声的第一首where do you go to my lovely和最后一首Les Champs-elysees都是来自69年的流行金曲,前者在短片Hotel Chevalier中贯穿始终,是属于初听过于甜腻,却越听越来劲那种,而且歌词也相当有趣;后者顾名思义是首歌唱香榭丽舍大道的歌曲,演唱者Joe Dassin是当年法国的流行天王,而他老爸就是鼎鼎大名的noir大师朱尔斯达辛,嘿,还真叫我给猜中了^-^ —BY Pythonmania汽车大师
http://www.douban.com/review/1314895/
电影介绍:
来自美国的三兄弟在一年的时间里互相之间没有任何联系。为了找回遗失的亲情和自我,他们决定搭乘火车穿越整个印度。然而在旅途中,他们的精神理想却因种种文化和习俗差异(包括不用处方就能买到止痛药、印度止咳糖浆、辣椒喷雾……)而迅速转向。期间无数的笑料喷薄而出,影片整体基调为热情洋溢的亮黄色,依旧延续了导演韦斯·安德森的色彩原则。观众也将在本片中领略奥斯卡最年轻的影帝阿德里安·布劳迪的喜剧天分。本片还全程展现了印度的诱人风情和迷人风物。影片最后,三兄弟发现自己搁浅在了沙漠中,只剩下三个活人和十一个旅行箱、一台打印机、一台碾压机。在这一刻,一个新的、没有计划的旅程又一次突然诞生。
一年前看电影的时候被它里面的音乐和色彩深深吸引,印度风情的温暖,身边也有朋友因此踏上了远行北印的道路。一年后终于找到了原声,听来依旧温暖如初。好东西不敢独享,特此份上!!
Amazon.com:
Music plays a huge part in director Wes Anderson's meticulously crafted world. For this movie set in India, he's come up with a typically wide-ranging, mind-boggling soundtrack largely culled from the mid-'60s and early '70s, despite the fact that the film is set in the present. Though Indian cinema has come to mean Bollywood for most Americans, Anderson pays tribute to art filmmaker Satyajit Ray by including music from some of his movies, mines the early (1963-1970), lesser-known oeuvre of James Ivory, and features traditional Indian tunes. This may throw fans of Bollywood's more frantic style at first (even if the upbeat go-go "Typewriter Tip, Tip, Tip," co-sung by superstar Asha Bhosle, gets close), but the music's eerie charm works in insidious ways. British Invasion pop, an enduring love of Anderson's, is represented by obscure songs from well-known combos (three cuts from the Kinks' 1970 album Lola versus Powerman and the Moneygoround, Part One), as well as obscure songs from obscure performers, like Peter Sarstedt's 1969 nugget "Where Do You Go To (My Lovely)." Add a fantastic Rolling Stones pop tune from 1965, a couple of Western classical tracks, a popular French hit by Joe Dassin, and you have a CD that's all over the map yet oddly consistent in its eccentricity. --Elisabeth Vincentelli