Venetian Snares -《Rossz Csillag Alatt Szuletett》[FLAC]
专辑英文名: Rossz Csillag Alatt Szuletett
歌手: Venetian Snares
音乐风格: 电子
资源格式: FLAC
发行时间: 2005年
地区: 加拿大
语言: 英语
简介:
Release Date: March 22, 2005
Label: Planet Mu
Asin: B0007QN900
Genres:
Breakcore / Electronic / Drill and Bass / Modern Classical
专辑介绍：
Breakcore 天才Venetian Snares说他是音乐上的恐怖份子可一点也不为过,外表打扮酷似Aphex Twin的Aaron Funk,在这张专辑中大量取样许多经典古典作品融合电子音像，像T2取材自巴尔扥克的弦乐四重奏,T3取材自匈牙利钢琴作曲家Rezső Seress在1933年的经典Gloomy Sunday(Billie Holiday也翻唱过),聆听想像着自己是鸽子正在匈牙利上方快乐的飞翔(T3国王的宫殿),this album已获Tiny Mix Tapes年度最佳专辑。
Aaron Funk, most commonly referred to as Venetian Snares, has made some really intense, noisy, and from time-to-time danceable tracks over the years. He’s produced some vicious abstract gabber type releases (Vs. Speedranch’s Making Orange Things), variant experimentalist drum and bass (Chocolate Wheelchair, Doll Doll Doll), and even a few concept albums (Songs About My Cats, Winnipeg Is A Frozen Shithole EP). Never content on doing the same thing twice, he has followed up the industrial chill of last year’s Huge Chrome Cylinder Box Unfolding — isn’t he just the man with the snappy, radio-friendly titles — with a classical concept of love and grief songs. With the album title and every song in Hungarian, the foundation of each track being classical music tinged by Hungarian folk (as opposed to the typical Snares epileptic electronic torture) — for which Funk learned the trumpet and electric violin — accentuated by his signature ballistic drums that Funk keeps in careful check most of the time here, Rossz Csillag Alatt Született is surely his most accomplished album to date. Now I love the jarring insanity he usually comes up with, but averaging two full-lengths a year for six years as well as unique EPs and remix work, it seems occasionally like there’s a bit of quantity over quality going on; but to pull an album like this out of nowhere is something approaching divine intervention. This is an album of uncouth beauty that is at once sublime, timeless, cinematic, sporadic, and moving from start to finish for the uppity junglist or the CBC Radio 1 listener in your family. Drill and bass has never and probably will never again be so elegant and emotional. It’s certain that if Rossz Csillag was written in the late 18th century, the poncey court critics would’ve lost sleep spewing a steady stream of praise ripe with the most obscure and descriptive words in their natural tongue before committing seppuku at the behest of Venetian Snares’ cover of Rezsó Seress’ "Öngyilkos Vasárnap," better known as "Gloomy Sunday" the Hungarian suicide song, as would’ve been the style at the time had Seress also been born 150 years earlier, I’m almost positive. After a handful of years in the popular underground limelight, I believe Aaron Funk has created something bigger.
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