Mansfield Park(曼斯菲尔德庄园)|报价￥42.20|图书,进口原版,Literature & Fiction 文学/小说,British 英国,Jane Austen (Author)
品牌：Jane Austen (Author)
基本信息
·出版社：W. W. Norton; New edition
·页码：544 页码
·出版日：1998年
·条码：9780393967913
·装帧：其他
·开本：32 32
内容简介
Begun in 1811 at the height of Jane Austen's writing powers and published in 1814, Mansfield Park marks a conscious break from the tone of her first three novels, Northanger Abbey, Sense and Sensibility, and Pride and Prejudice, the last of which Austen came to see as "rather too light." Fanny Price is unlike any of Austen's previous heroines, a girl from a poor family brought up in a splendid country house and possessed of a vast reserve of moral fortitude and imperturbability. She is very different from Elizabeth Bennet, but is the product of the same inspired imagination. Mansfield Park shows Austen as a mature novelist with an almost unparalleled ability to render character and an acute awareness of her world and how it was changing. Through the stories of Fanny Price, the Bertrams, and the Crawfords, she tackles the themes of faith and constancy and the threat that metropolitan manners could pose to a rural way of life. Mansfield Park is as amusing as any of Austen's novels, but, according to the critic Tony Tanner, it is also arguable that it is "her most profound novel --indeed...it is one of the most profound novels of the nineteenth century."
About the Series:Each Norton Critical Edition includes an authoritative text, contextual and source materials, and a wide range of interpretations-from contemporary perspectives to the most current critical theory-as well as a bibliography and, in most cases, a chronology of the author's life and work.
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Begun in 1811 at the height of Jane Austen's writing powers and published in 1814, Mansfield Park marks a conscious break from the tone of her first three novels, Northanger Abbey, Sense and Sensibility, and Pride and Prejudice, the last of which Austen came to see as "rather too light." Fanny Price is unlike any of Austen's previous heroines, a girl from a poor family brought up in a splendid country house and possessed of a vast reserve of moral fortitude and imperturbability. She is very different from Elizabeth Bennet, but is the product of the same inspired imagination.
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Amazon.com
Though Jane Austen was writing at a time when Gothic potboilers such as Ann Ward Radcliffe's The Mysteries of Udolpho and Horace Walpole's The Castle of Otranto were all the rage, she never got carried away by romance in her own novels. In Austen's ordered world, the passions that ruled Gothic fiction would be horridly out of place; marriage was, first and foremost, a contract, the bedrock of polite society. Certain rules applied to who was eligible and who was not, how one courted and married and what one expected afterwards. To flout these rules was to tear at the basic fabric of society, and the consequences could be terrible. Each of the six novels she completed in her lifetime are, in effect, comic cautionary tales that end happily for those characters who play by the rules and badly for those who don't. In Mansfield Park, for example, Austen gives us Fanny Price, a poor young woman who has grown up in her wealthy relatives' household without ever being accepted as an equal. The only one who has truly been kind to Fanny is Edmund Bertram, the younger of the family's two sons.
Into this Cinderella existence comes Henry Crawford and his sister, Mary, who are visiting relatives in the neighborhood. Soon Mansfield Park is given over to all kinds of gaiety, including a daring interlude spent dabbling in theatricals. Young Edmund is smitten with Mary, and Henry Crawford woos Fanny. Yet these two charming, gifted, and attractive siblings gradually reveal themselves to be lacking in one essential Austenian quality: principle. Without good principles to temper passion, the results can be disastrous, and indeed, Mansfield Park is rife with adultery, betrayal, social ruin, and ruptured friendships. But this is a comedy, after all, so there is also a requisite happy ending and plenty of Austen's patented gentle satire along the way. Describing the switch in Edmund's affections from Mary to Fanny, she writes: "I purposely abstain from dates on this occasion, that everyone may be at liberty to fix their own, aware that the cure of unconquerable passions, and the transfer of unchanging attachments, must vary much as to time in different people." What does not vary is the pleasure with which new generations come to Jane Austen. --Alix Wilber --This text refers to the Paperback edition.
The Merriam-Webster Encyclopedia of Literature
Novel by Jane Austen, published in three volumes in 1814. In its tone and discussion of religion and religious duty, it is the most serious of Austen's novels. The heroine, Fanny Price, is a self-effacing and unregarded cousin cared for by the Bertram family in their country house. Fanny's moral strength eventually wins her complete acceptance by the family. --This text refers to an out of print or unavailable edition of this title.
专业书评
FromSchool Library Journal
Grade 9 Up-Jane Austen paints some witty and perceptive studies of character.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
FromLibrary Journal
Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
FromAudioFile
In this elegant abridgment, Harriet Walter (Fanny Dashwood in the film Sense and Sensibility) brings her exquisite articulation to bear on the inhabitants of gracious Mansfield Park. Walter's voicing of the characters is expert, displaying not only a virtuosity with accent and tone, but also a deep understanding of Austen's class distinctions. The maddening hypocrisy of Fanny's aunt, Mrs. Norris, and the clenched jaw of her uncle, the baronet, are both in delightful contrast to the livelier members of the party. The distinction the reader draws between the captivating, but shallow, Mary Crawford and the mild and sensitive Fanny Price leaves no doubt that our hero will eventually triumph in Edmond Bertram's heart. T.M. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.
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